In a follow-up interview to Decade.’s very first venture at Sebright Arms in April 2018, False Advertising find themselves at Old Blue Last in Shoreditch. Before playing a free show to promote their marvellous new single, ‘You Won’t Feel Love’, we get the chance to talk with them about Brexit, parental discontent and the time they got off on the wrong foot with Idles in an airport.
The second single from 1800, ‘Laura C.’, is unquestionably one of the most triumphant tracks to ever come from post-punk. Aussie band Big Supermarket’s debut is frustratingly good and it’s nerve-wracking to contemplate where they’re headed next.
As a response to an article on concept albums that I wrote for LDN Magazine, Giack Bazz directed me to his new concept album, Haikufy. Not only was I unprepared, but I was thrilled.
With opera performances in Bastien und Bastienne, Die Fledermaus and The Tale Of Genji already under her belt, Sara Kobayashi is wowing audiences from Japan to Austria…
This sums up my university experience in that it made me fucking cry quite a bit and I wasn’t sure whether that was good or bad. Probably bad.
Following in the wake of Madchester and defying American grunge's fatalist attitude, Britpop ruled Britannia and provided a glimmer of sunshine to the drab and overcast streets of 1990s UK. From the bouncy rhythms of The Farm to the seductive lyrics of Pulp, we take a look at the 40 best Britpop albums that changed Britain for the better.
You Won’t Get What You Want feels almost wholly unlistenable. Bar the demented yet groove-ridden highlight that is ‘Less Sex’, Daughters’ fourth effort pushes the boundaries of what can be accepted as enjoyable art.
Surrounded by the venue's set of 18 surround sound 10,000 watt speakers, eager audiophiles listen to the album in its entirety in total darkness.
Today marks the 20th anniversary of John Kennedy’s X-Posure show on Radio X, a place where the presenter champions new artists to late night indie listeners.
In a follow-up interview to Decade.’s very first venture at Sebright Arms in April 2018, False Advertising find themselves at Old Blue Last in Shoreditch. Before playing a free show to promote their marvellous new single, ‘You Won’t Feel Love’, we get the chance to talk with them about Brexit, parental discontent and the time they got off on the wrong foot with Idles in an airport.
The second single from 1800, ‘Laura C.’, is unquestionably one of the most triumphant tracks to ever come from post-punk. Aussie band Big Supermarket’s debut is frustratingly good and it’s nerve-wracking to contemplate where they’re headed next.
As a response to an article on concept albums that I wrote for LDN Magazine, Giack Bazz directed me to his new concept album, Haikufy. Not only was I unprepared, but I was thrilled.
With opera performances in Bastien und Bastienne, Die Fledermaus and The Tale Of Genji already under her belt, Sara Kobayashi is wowing audiences from Japan to Austria…
This sums up my university experience in that it made me fucking cry quite a bit and I wasn’t sure whether that was good or bad. Probably bad.
If Alan McGee endorses a band, it’s kind of a big deal…
Following in the wake of Madchester and defying American grunge's fatalist attitude, Britpop ruled Britannia and provided a glimmer of sunshine to the drab and overcast streets of 1990s UK. From the bouncy rhythms of The Farm to the seductive lyrics of Pulp, we take a look at the 40 best Britpop albums that changed Britain for the better.
You Won’t Get What You Want feels almost wholly unlistenable. Bar the demented yet groove-ridden highlight that is ‘Less Sex’, Daughters’ fourth effort pushes the boundaries of what can be accepted as enjoyable art.
Surrounded by the venue's set of 18 surround sound 10,000 watt speakers, eager audiophiles listen to the album in its entirety in total darkness.
Today marks the 20th anniversary of John Kennedy’s X-Posure show on Radio X, a place where the presenter champions new artists to late night indie listeners.